Depiction Of Birds In The Miniature Paintings Of Jahangir’s Era: Thematic Approach

Abstract

The reign of Emperor Jahangir (1605-1627) marked a turning point in Mughal art, particularly in the complex world of miniature painting. Bird depictions, with extraordinary detail and realism, were central to this artistic flowering. These avian representations not only demonstrate Jahangir's keen interest in natural history, but also demonstrate the various cultural and creative influences that influenced the Mughal court. This study focuses into the artistic techniques used by expert painters of Jahangir's court, such as Abul Hasan, Mansoor, Bichitra, Govardhan, and Bisandas, whose works stand out as exceptional triumphs in the genre.

The analysis begins with an indepth investigation of the technical features, focusing on the precise brushwork, bright colour palettes[1], and compositional methods that distinguished that era's bird paintings. It then explores into the symbolic associations buried in these paintings, exploring how birds were more than just natural subjects, but also carriers of deeper cultural and spiritual importance.

Finally, the research looks into the impact of European artistic influences on Mughal miniature painting, specifically the use of perspective and naturalistic realism. The study uses a thematic analysis to provide light on the multidimensional nature of Jahangir-era bird paintings, establishing them as a significant component of the larger cultural and creative advances that constituted one of Indian art's golden periods.